Film Bibliography
Daniel Arijon. Grammar of the Film Language.
London/Boston: Focal, 1976.
David Bordwell. Narration in the Fiction Film. Madison:
U of Wisconsin P, 1985.
David Bordwell, Kristin
Thompson, and Janet Staiger. The
Classical Hollywood Cinema: Film Style & Mode of Production to 1960.
New York: Columbia UP, 1985.
Edward Branigan. Narrative Comprehension and Film.
London/New York: Routledge, 1993.
Dunne, Nathan, Tarkovsky, London: Black Dog publishing, 2008
Thomas Elsaesser and Adam
Barker, eds. Early Cinema: Space, Frame,
Narrative. London: British Film Institute, 1990.
Marilyn Fabe. Closely Watched Films: An Introduction to
the Art of Narrative Film Technique. Berkeley: U of California P, 2004.
John Fell. Film and the Narrative Tradition.
Norman: U of Oklahoma P, 1974.
Tom Gunning. D. W. Griffith and the Origins of American
Narrative Film. Urbana: U of Illinois P, 1991.
Miriam Hansen. Babel & Babylon: Spectatorship in
American Silent Film. Cambridge: Harvard UP, 1991.
----------. “The Mass
Production of the Senses: Classical Cinema as Vernacular Modernism.” Modernism/Modernity 6.2 (1999): 59-77.
Keil, Charles. Early American Cinema in Transition: Story,
Style and Filmmaking 1907-1913. Madison: U of Wisconsin P, 2001.
Barry Salt. Film Style and Technology: History and
Analysis. Second Edition. London: Starword, 1992.
Tarkovsky, Sculpting in Time, Austin: University of Texas Press, 2003
Peter Wollen, “Godard and
Counter Cinema: Vent d’Est,” Afterimage 4 (Autumn 1972): 6-17.
